On the Young Mindblade Noble of the City of Lux, Razus Mindblade:

He's a Barbarian Rogue Type. There was no refinement in the Nobility for such a brute. He learned to be a hired Goon and learned how to hire his own Goons. His Goonmastery elevated his status from a dumb brute into a Noble in his own right and way, which resembled the ascension of a Demon into Manhood.

This was a fine form for the selection of Nightraven Razorblade, and she pursued him.

Their romance was like unto a match made in Hell, with both of them dancing on the faces of the damned.

She led him further into Darkness, as a Razorblade Leader, as his favor with the Mindblade was failing.

It was not a large sacrifice, as his standing was very low, to begin with.

Razus did not get the chance to marry Nightraven before his father, Earthstone, banished him from the very Planet with a Grand Summoning of Light blasting his body quickly into the depths of space, to the point of Lovely Cerrus becoming a speck in the distance.

"Peacestone" is Yellow Energy that organizes things into group harmony in the context of the group and the value of each thing in that group.

"Lifebloodstone" is Red Energy that provides Health, Regeneration, and pushes people into their Peak Abilities from OmniNourishment.

"Lovestone" is Pink Energy that connects and attracts People and Things into Optimal Positions relative to each other, which makes it work great with Peacestone.

"Creationstone" is Orange Energy that summons Things into Being by crossing the boundary between an Assemblage of Objects into a Living Object. It also compels Beings to do the same through actions of the Hands.

"Loporian Light" is a Weaving-Alternating-Ribbon-Energy of Glowing Ribbons of White and Blue. It is the Energy of the Combined Powers of all Four Stones, and the Cerran Nobles that Govern the Loporian Empire.

I watch this video, and it makes me imagine Windchime Skyblade being confronted by Turok Rhygear about her plans for an Authoritarian Hive Mind:

She is the antagonist, singing like Scar from the Lion King in Exposition of her Evil Plan to a frightened Turok that is overpowered by her, and ends up escaping to regroup as she finishes singing.

Other influences are Celtic Faerie Wicca, which is shown in Rich Definition in the Design of House Ei. House Walker is what House Ei becomes when Yur-Ei is murdered by the High Council. House Walker has a Darker Motif, moving from Celtic Faerie Wicca into Dragon Wicca.

It is also of note that "Fire Walker" and "Firestone Possession" are not the same Transformation.

Firestone Possession is the Avatar Effect where touching one of the 16 Stones enslaves the Human and changes them on every level to become a Servant of that Stone in a way that alters their very Being.

Wind Walker is strong enough in her Magic to where the Avatar State doesn't take permenently, nor all the way. Her hair changes color to match the Stones' Aesthetic, as do her eyes, and her Skin to a lesser extent. She gains the power of that particular stone temporarily just like Rogue from the X-Men absorbs Mutant Powers temporarily by touch.

"Fire Walker", though, is a Rare Form that has Deus Ex Machina Powers and is used very infrequently when Wind Walker is truly backed into a corner with no way out, and is about to die. It is so powerful a form that it vaporized the 4 Planets of Old Akashmiran and the Star around which they held Orbit.

The People of Old Akashmiran escaped, due to the Old Magic that their Culture was steeped in, but suffered great loss. The 4 Kings of Old Akashmiran recognized Wind Walker's Power and bent the knee to her in fealty, starting her reign as Empress Wind Walker of New Akashmiran. It took 30 years and a severe overhaul of the Old Magic, with help from the Divine Realm of Domminna, to reforge the 4 Planets and their Star.

So, I really don't want to hear any confusion when it comes to Fire Walker and Firestone Possession.

There is no such animal as "Hate Walker" or "Peace Walker" and their won't be, because Fire Walker is a Special Technique that overwrites and overpowers everything to such an OP degree that it would very much unbalance the Story.

I was considering making the Stone Possession into a Mega-Man Type of Ability where Wind Walker could learn all the abilities of the 16 Stones by touch/osmosis, which would lead to her becoming a Circle Mage, but that is not high enough in difficulty for the definition of a Circle Mage.

The Circle Mage is Orbspace equivalent to the "Six Paths Sage Mode" in the Naruto Universe, and is one of the rarest and most difficult abilities to construct for good reasons. It wouldn't be rare or special at all if it was easy.

Wind Walker can do it, but she'll have at least as much difficulty in doing so as Madara Uchiha did.

The Original Circle Mage was Circle Oaennar, was born on the Planet Oaenalia of Peacestone, and resides with the Deities in Domminna as their Chief.

1.      Convert Story into Screenplay

2.      Convert Screenplay into Comic

3.      Convert Comic into Animation

4.      Convert Animation into Game

5.      Convert Game, Animation, and Comic into Social Media Brand

6.      Convert Social Media Brand into Print, DVD/Blu-ray, and Xbox/PlayStation Distribution Mediums

https://metaversity.quora.com/

AI Generated Text from these points:

Story is the creative function of a storyteller, the flow of events and dialogue into fiction.

Screenplays are written by screenwriters.

The story is broken into the Three Act Structure, so StoryWriters always start by creating their Script using The Three Act Structure as the backbone.

They then expand the outline into a 60 page screenplay or a 150 page script.

2. Convert Screenplay into Comic

Dialogue and setting is where story meetings are usually held.

Since they’re an activity people get engaged and excited about, story meetings and animation story meetings usually look more like improvisational theatre than writing meetings.

Story meetings are made up of non-producers and non-scriptwriters. People are asked to improvise in the room, but they only get feedback if they improvise well.

People do a lot of research and script mapping before story meetings, but they don’t necessarily know what all the characters look like or how all the scenes connect, so they’re not writing a comic or trying to improvise anything.

StoryWriters usually give out a quick outline of the story and let the animators and voice actors add to it.

Animation StoryWriters start from a blank page and start writing dialogue. They research characters, setting, and the film's theme before writing any dialogue.

3. Convert Comic into Animation

StoryWriters usually sit down and give themselves permission to start writing a comic. Most of them have no idea what they’re writing.

Scriptwriters don’t tend to do this.

StoryWriters need to create a general sense of the theme for the comic, set the tone, get the characters’ voice right and then begin to write dialogue.

Animation StoryWriters, on the other hand, are more focused on working out the plot. They come up with the concept and world but don’t spend much time thinking about the characters or story, so they usually can get a draft of a comic out in a week.

The main difference between comics and animation is that animation is usually much longer and includes more animation.

4. Convert Animation into Game

Game Writing is a much more deliberate process than comics or animation. It’s the final part of the process.

StoryWriters usually spend a lot of time preparing the game to be made. They do research on current games and get ideas about making it.

Game Writers usually start with a 2 page document which outlines the core of the game: the rules, the setting, the plot, and the characters.

They then spend time coming up with a basic set of the characters.

Some people create detailed character sheets for each character, while others play a lot with the characters before they settle on an agreement.

Once the characters are ready, they turn to the storyline.

5. Convert Game into Social Media Brand

StoryWriters create brands from scratch, while game writers make brands from existing games.

Brand creation often involves heavy storytelling and dramatic elements, as well as marketing hooks.

StoryWriters usually have a team of writers to help them shape their brand. They focus on creating interesting stories and have to be extremely detailed and thorough about their worlds.

One common trend in the video game world is the genre-blurring approach.

For example, movie studio executives tend to have very similar taste in movies and TV shows, which is why you sometimes see similar movies made by the same company.

On the other hand, it’s common to see video game companies creating both video games and films.

For example, Legendary Pictures, a division of Legendary Games, produced Warcraft and Kung Fu Panda and is currently working on the sequel to Pacific Rim.

Because of this, it’s a very common practice for video game companies to hire story writers to help shape their brand.

6. Convert Film into Live Events

At the end of the process, storywriters are usually not on-set to see their films. But

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"Intellectual Fascism tends to hide behind a collective culture of Clinical, Academic, and Vocational Professionalism. Whole books have been written to circumvent the accusations of Intellectual Fascism to prove that Excuses are Reasons. In this manner, the Cult of Experts can hack Logic, Politics, and Media to get away with anything, and are truly above the Law." -Coin

Coin as a Time Travelling Wizard is the aspect of myself that sees the Game of the World for what it is and works against it. She is like "The Doctor" from Doctor Who, and has her own Time-Travelling Spaceship.

The Wizard Cabal consists of Orbius, Jinn-Lir, and Coin on the Good Side, and The Huntress, Wonn-Lir, and Typhus on the Evil Side. The Huntress is the rival of Orbius. Wonn-Lir is the rival of Jinn-Lir, and Typhus is the rival of Coin.

A friend of mine questioned whether an Orb was superior to a Circle, in that Orbius was superior to Circle Oaennar. Instead of seeing a 2d Circle as inferior to a 3d Orb, the dynamic of Circle Oaennar is based on the Balanced Arrangement of all Characters and Forces in the 4 Empires based on The Principles of Design, and Orbius is defined through the Orb, which is a Magic Tool of the Fractal of Imagination within Imagination, ad infinitum. Orb Magic is the Narrative Device I want to use to link the Context of my Fictional Story to our Real World. The Metaverse is now redesigned into the Internet of the 4 Empires called "DD" or Drift Drive, as previously cited: https://mindblade16.newgrounds.com/news/post/1095797 . This redefinition of my use of the term "Metaverse" therefore aligns with the Popular Definition of the term and eliminates that specific bit of confusion. It is not "The Metaverse", but "A Metaverse." This leaves me with a problem. I just started calling my setting "The 4 Empires(5 if you count the Legendary 5th Empire of Rezda Locke-nor(reference: 'Heavy Metal' lock-nar)" and I started referring to the transplanted characters as a whole, in dealing with the Virgonian Empire they landed in, as "The Children of the Lost Metaverse." (facepalm) I feel like I fucked up somewhere.

Hi. I was wanting to start a Weekly Twitch Stream, and I’m gathering people who may be interested in attending. 

You are invited, but I need to figure out the best time by asking for times that would be convenient for my fans. 

Would you like to attend my Weekly Twitch Stream, and if so, what Time are you available to attend?

https://www.eventbrite.com/e/matts-lair-metaversity-weekly-twitch-stream-tickets-201873839087